having read and thoroughly enjoyed Christopher Isherwood's
A single Man, the news that Tom Ford was to direct the film adaptation was somewhat exciting. unfortunately, being in South America at the time the chance of me catching it at the cinema was slim but as luck would have it, what was the feature film on the flight back to Paris?...
although not the ideal setting for the first viewing of an anticipated film, i decided i couldn't wait so tuned in. considering who was directing, it was clear that the film was going to ooze effortless cool. however, i thought the first half an hour or so had a touch of the try-hard about it. the constant close-up camera work, varying angles, slow pans and freeze frames all give the feel of a first time director who is dying to bring out his style in his work, and all succeed to give the feel of a fashion ad rather than a motion picture. even though the 1960's period style is somewhat over-indulgent, every item of clothing and every set piece, from Colin Firth's tie clip to his shoe brush, is clearly meticulously chosen and each give a clear reminder to just what the director made his business in. the portrayal of the story itself is great, and the film is so accomplished visually that, after the slow and shaky start, i was gripped.